Kora in Hell

by William Carlos Williams

XXI.

1

There’s the bathtub. Look at it, caustically rejecting its smug proposal. Ponder removedly the herculean task of a bath. There’s much cameraderie in filth but it’s no’ that. And change is lightsome but it’s not that either. Fresh linen with a dab here, there of the wet paw serves me better. Take a stripling stroking chin-fuzz, match his heart against that of grandpa watching his silver wane. When these two are compatible I’ll plunge in. But where’s the edge lifted between sunlight and moonlight. Where does lamplight cease to nick it? Here’s hot water.

It is the mark of our civilization that all houses today include a room for the relief and washing of the body, a room ingeniously appointed with water-vessels of many and curious sorts. There is nothing in antiquity to equal this.

2

Neatness and finish; the dust out of every corner! You swish from room to room and find all perfect. The house may now be carefully wrapped in brown paper and sent to a publisher. It is a work of art. You look rather askance at me. Do not believe I cannot guess your mind, yet I have my studies. You see, when the wheel’s just at the up turn it glimpses horizon, zenith, all in a burst, the pull of the earth shaken off, a scatter of fragments, significance in a burst of water striking up from the base of a fountain. Then at the sickening turn toward death the pieces are joined into a pretty thing, a bouquet frozen in an ice-cake. This is art, mon cher, a thing to carry up with you on the next turn; a very small thing, inconceivably feathery.

Live as they will together a husband and wife give each other many a sidelong glance at unlikely moments. Each watches the other out of the tail of his eye. Always it seems some drunkeness is waiting to unite them. First one then the other empties some carafe of spirits forgetting that two lumps of earth are neither wiser nor sadder.… A man watches his wife clean house. He is filled with knowledge by his wife’s exertions. This is incomprehensible to her. Knowing she will never understand his excitement he consoles himself with the thought of art.

3

The pretension of these doors to broach or to conclude our pursuits, our meetings,—of these papered walls to separate our thoughts of impossible tomorrows and these ceilings—that are a jest at shelter.… It is laughter gone mad—of a holiday—that has frozen into this—what shall I say? Call it, this house of ours, the crystal itself of laughter, thus peaked and faceted.

It is a popular superstition that a house is somehow the possession of the man who lives in it. But a house has no relation whatever to anything but itself. The architect feels the rhythm of the house drawing his mind into opaque partitions in which doors appear, then windows and so on until out of the vague or clearcut mind of the architect the ill-built or deftly-built house has been empowered to draw stone and timbers into a foreappointed focus. If one shut the door of a house he is to that extent a carpenter.

Coda

Outside, the north wind, coming and passing, swelling and dying, lifts the frozen sand drives it arattle against the lidless windows and we my dear sit stroking the cat stroking the cat and smiling sleepily, prrrrr.

A house is sometimes wine. It is more than a skin. The young pair listen attentively to the roar of the weather. The blustering cold takes on the shape of a destructive presence. They loosen their imaginations. The house seems protecting them. They relax gradually as though in the keep of a benevolent protector. Thus the house becomes a wine which has drugged them out of their senses.