The Goose-Step

by Upton Sinclair

Chapter IV - The Goose-Steppers

In the year 1901 I was twenty-one years of age, and was ready to quit Columbia. The great university had become to me nothing but a library full of books, and some empty class-rooms in which to sit while reading them. No longer was I lured by elaborate prospectuses, setting forth lists of “courses”; I had tried forty of them, and knew that nine-tenths of them were dull. The great institution was a hollow shell, a body without a soul, a mass of brick and stone held together by red tape.

But before I went out into the world, I made one final test of the place. I knew by this time exactly what I wanted to do in the world; I wanted to create literature. I had an overwhelming impulse, so intense that it had completely ruined me as a hack-writer; my “half-dime” novels had become impossible to me, and the question of how I was to earn my living was a serious one.

And here was a great university, devoted to the furthering of all the liberal arts. This university had trained me to love and reverence the great writers of the past; what was its attitude to the great writers of the future? The university controlled and awarded a vast number of scholarships and fellowships in all branches of learning; that is to say, it offered support to young men while they equipped themselves to understand and teach the writings of the past. But what about the writings of the future? 16What aid would the university give to these? I was planning to spend the summer writing a novel, and the idea occurred to me: Would Columbia University accept a novel as a thesis or dissertation, or as evidence of merit and of work accomplished, in competition for any fellowship or endowment under its control?

I made this proposition to the proper authorities at Columbia, the heads of the various departments of literature, and to the president’s office as well; and I received one unanimous decision: there was no fellowship or endowment under the control of the university which could be won by any kind of creative writing, but only by “scholarship”—that is to say, by writing about the work of other people!

I was not satisfied entirely. It occurred to me—maybe there was some other university in this broad land of freedom which might have a more liberal and intelligent policy than Columbia; so I set out on a campaign to test out the question. I wrote to the authorities at Harvard, and at Yale, and at Princeton, and Cornell, and Stanford, and the University of Pennsylvania, and Chicago, and Wisconsin and California, and I know not what others. I did not let up until I had made quite certain that among all the hundreds of millions of dollars of endowment at the disposal of the great American universities, there was not one dollar which could be won by a piece of creative literature, nor one university president who was interested in the possibility that there might be a man of genius actually alive in America at the beginning of the twentieth century.

So I went out into the world to make my own way, and to fight for the preservation of my own talent. I had given the academic authorities nine years in which to do what they could to me, so I might fairly lay claim to be a completely educated man. I look back now, and see myself as I was, and I shudder—not merely for myself, but for all other products of the educational machine. I think of the things I didn’t know, and of the pains and perils to which my ignorance exposed me! I knew nothing whatever about hygiene and health; everything of that sort I had to learn by painful error. I knew nothing about women; I had met only three or four beside my mother, and had no idea how to deal with them. I knew as much 17about sex as was known to the ancient religious ascetics, but nothing of modern discoveries or theories on the subject.

More significant yet, I knew nothing about modern literature in any language; I had acquired a supreme and top-lofty contempt for it, and was embarrassed when I happened to read “Sentimental Tommy,” and discovered that someone had written a work of genius in my own time! I knew nothing about modern history; so far as my mind was concerned, the world had come to an end with the Franco-Prussian war, and nothing had happened since. Of course, there was the daily paper, but I didn’t know what this daily paper was, who made it, or what relation it had to me. I knew that politics was rotten, but I didn’t know the cause of this rottenness, nor had I any idea what to do about it. I knew nothing about money, the life-blood of society, nor the part it plays in the life of modern men. I knew nothing about business, except that I despised it, and shrank in agony of spirit from contact with business people. All that I knew about labor was a few tags of prejudice which I had picked up from newspapers.

Most significant of all to me personally, I was unaware that the modern revolutionary movement existed. I was all ready for it, but I was as much alone in the world as Shelley a hundred years before me. I knew, of course, that there had been Socialism in ancient times, for I had read Plato, and been amused by his quaint suggestions for the reconstruction of the world. Also I knew that there had been dreamers and cranks in America who went off and tried to found Utopian commonwealths. It was safe for me to be told about these experiments, because they had failed. I had heard the names of Marx and Lassalle, and had a vague idea of them as dreadful men, who met in the back rooms of beer-gardens, and conspired, and made dynamite bombs, and practised free love. That they had any relationship to my life, that they had anything to teach me, that they had founded a movement which embraced all the future—of this I was as ignorant as I was of the civilization of Dahomey, or the topography of the far side of the moon.

I went out into the world, and learned about these matters, by most painful experience; and then I looked 18back upon my education, and understood many things which had previously been dark. One question I asked myself: was all that deficiency accidental, or was it deliberate? Was it merely the ignorance of those who taught me, or was there some reason why they did not teach me all they knew? I have come to understand that the latter is the case. Our educational system is not a public service, but an instrument of special privilege; its purpose is not to further the welfare of mankind, but merely to keep America capitalist. To establish this thesis is the purpose of “The Goose-step.”

And first a few words as to the title. We spent some thirty billions of treasure, and a hundred thousand young lives, to put down the German autocracy; being told, and devoutly believing, that we were thereby banishing from the earth a certain evil thing known as Kultur. It was not merely a physical thing, the drilling of a whole population for the aggrandizement of a military caste; it was a spiritual thing, a regimen of autocratic dogmatism. The best expression of it upon which I have come in my readings is that of Johann Gottlieb Fichte, Prussian philosopher and apostle of Nationalism; I quote two sentences, from a long discourse: “To compel men to a state of right, to put them under the yoke of right by force, is not only the right but the sacred duty of every man who has the knowledge and the power.... He is the master, armed with compulsion and appointed by God.” I ask you to read those sentences over, to bear them in mind as you follow chapter after chapter of this book; see if I am not right in my contention that what we did, when we thought we were banishing the Goose-step from the world, was to bring it to our own land, and put ourselves under its sway—our thinking, and, more dreadful yet, the teaching of our younger generation.