The Human Chord

by Algernon Blackwood

Chapter 3

I

In his bedroom, though excitement banished sleep in spite of the lateness of the hour, he was too exhausted to make any effective attempt to reduce the confusion of his mind to order. For the first time in his life the diary-page for the day remained blank. For a long time he sat before it with his pencil--then sighed and put it away. A volume he might have written, but not a page, much less a line or two. And though it was but eight hours since he had made the acquaintance of the Rev. Philip Skale, it seemed to him more like eight days.

Moreover, all that he had heard and seen, fantastic and strained as he felt it to be, possibly even the product of religious mania, was nevertheless profoundly disquieting, for mixed up with it somewhere or other was--truth. Mr. Skale had made a discovery--a giant one; it was not all merely talk and hypnotism, the glamour of words. His great Experiment would prove to be real and terrible. He had discovered certain uses of sound, occult yet scientific, and if he, Spinrobin, elected to stay on, he would be obliged to play his part in the denouement. And this thought from the very beginning appalled while it fascinated him. It filled him with a kind of horrible amazement. For the object the clergyman sought, though not yet disclosed, already cast its monstrous shadow across his path. He somehow discerned that it would deal directly with knowledge the saner judgment of a commonplace world had always deemed undesirable, unlawful, unsafe, dangerous to the souls that dared attempt it, failure involving a pitiless and terrible Nemesis.

He lay in bed watching the play of the firelight upon the high ceiling, and thinking in confused fashion of the huge clergyman with his thundering voice, his great lambent eyes and his seductive gentleness; of his singular speculations and his hints, half menacing, half splendid, of things to come. Then he thought of the housekeeper with her deafness and her withered arm, and that white peace about her face; and, lastly, of Miriam, soft, pale beneath her dark skin, her gem-like eyes ever finding his own, and of the intimate personal relations so swiftly established between them....

It was, indeed, a singular household thus buried away in the heart of these lonely mountains. The stately old mansion was just the right setting for--for--

Unbidden into his mind a queer, new thought shot suddenly, interrupting the flow of ideas. He never understood how or whence it came, but with the picture of all the empty rooms in the corridor about him, he received the sharp unwelcome impression that when Mr. Skale described the house as empty it was really nothing of the sort. Utterly unannounced, the uneasy conviction took possession of him that the building was actually--populated. It was an extraordinary idea to have. There was absolutely nothing in the way of evidence to support it. And with it flashed across his memory echoes of that unusual catechism he had been subjected to--in particular the questions whether he believed in spirits,--"other life," as Skale termed it. Sinister suspicions flashed through his imagination as he lay there listening to the ashes dropping in the grate and watching the shadows cloak the room. Was it possible that there were occupants of these rooms that the man had somehow evoked from the interstellar spaces and crystallized by means of sound into form and shape--created?

Something freezing swept into him from a region far beyond the world. He shivered. These cold terrors that grip the soul suddenly without apparent cause, whence do they come? Why, out of these rather extravagant and baseless speculations, should have emerged this sense of throttling dread that appalled him? And why, once again, should he have felt convinced that the ultimate nature of the clergyman's great experiment was impious, fraught with a kind of heavenly danger, "unpermissible?"

Spinrobin, lying there shivering in his big bed, could not guess. He only knew that by way of relief his mind instinctively sought out Miriam, and so found peace. Curled up in a ball between the sheets his body presently slept, while his mind, intensely active, traveled off into that vast inner prairie of his childhood days and called her name aloud. And presumably she came to him at once, for his sleep was undisturbed and his dreams uncommonly sweet, and he woke thoroughly refreshed eight hours later, to find Mrs. Mawle standing beside his bed with thin bread and butter and a cup of steaming tea.

For the rest, the new secretary fell quickly and easily into the routine of this odd little household, for he had great powers of adaptability. At first the promise of excitement faded. The mornings were spent in the study of Hebrew, Mr. Skale taking great pains to instruct him in the vibratory pronunciation (for so he termed it) of certain words, and especially of the divine, or angelic, names. The correct utterance, involving a kind of prolonged and sonorous vibration of the vowels, appeared to be of supreme importance. He further taught him curious correspondences between Sound and Number, and the attribution to these again of certain colors. The vibrations of sound and light, as air and ether, had intrinsic importance, it seemed, in the uttering of certain names; all of which, however, Spinrobin learnt by rote, making neither head nor tail of it.

That there were definite results, though, he could not deny--psychic results; for a name uttered correctly produced one effect, and uttered wrongly produced another ... just as a wrong note in a chord afflicts the hearer whereas the right one blesses....

The afternoons, wet or fine, they went for long walks together about the desolate hills, Miriam sometimes accompanying them. Their talk and laughter echoed all over the mountains, but there was no one to hear them, the nearest village being several miles away and the railway station--nothing but a railway station. The isolation was severe; there were no callers but the bi-weekly provision carts; letters had to be fetched and newspapers were neglected.

Arrayed in fluffy tweeds, with baggy knickerbockers and heavily-nailed boots, he trotted beside his giant companion over the moors, somewhat like a child who expected its hand to be taken over difficult places. His confidence had been completely won. The sense of shyness left him. He felt that he already stood to the visionary clergyman in a relationship that was more than secretarial. He still panted, but with enthusiasm instead of with regret. In the background loomed always the dim sense of the Discovery and Experiment approaching inevitably, just as in childhood the idea of Heaven and Hell had stood waiting to catch him--real only when he thought carefully about them. Skale was just the kind of man, he felt, who would make a discovery, so simple that the rest of the world had overlooked it, so tremendous that it struck at the roots of human knowledge. He had the simple originality of genius, and a good deal of its inspirational quality as well.

Before ten days had passed he was following him about like a dog, hanging upon his lightest word. New currents ran through him mentally and spiritually as the fires of Mr. Skale's vivid personality quickened his own, and the impetus of his inner life lifted him with its more violent momentum. The world of an ordinary man is so circumscribed, so conventionally molded, that he can scarcely conceive of things that may dwell normally in the mind of an extraordinary man. Adumbrations of these, however, may throw their shadow across his field of vision. Spinrobin was ordinary in most ways, while Mr. Skale was un-ordinary in nearly all; and thus, living together in this intimate solitude, the secretary got peeps into his companion's region that gradually convinced him. With cleaned nerves and vision he began to think in ways and terms that were new to him. Skale, like some big figure in story or legend, moved forward into his life and waved a wand. His own smaller personality began to expand; thoughts entered unannounced that hitherto had not even knocked at the door, and the frontiers of his mind first wavered, then unfolded to admit them.

The clergyman's world, whether he himself were mad or sane, was a real world, alive, vibrating, shortly to produce practical results. Spinrobin would have staked his very life upon it....

And, meanwhile, he made love openly--under any other conditions, outrageously--to Miriam, whose figure of soft beauty moving silently about the house helped to redeem it. She rendered him quiet little services of her own accord that pleased him immensely, for occasionally he detected her delicate perfume about his room, and he was sure it was not Mrs. Mawle who put the fresh heather in the glass jars upon his table, or arranged his papers with such neat precision on the desk.

Her delicate, shining little face with its wreath of dark hair, went with him everywhere, hauntingly, possessingly; and when he kissed her, as he did now every morning and every evening under Mr. Skale's very eyes, it was like plunging his lips into a bed of wild flowers that no artificial process had ever touched. Something in him sang when she was near. She had, too, what he used to call as a boy "night eyes"--changing after dusk into such shadowy depths that to look at them was to look beyond and through them. The sight could never rest only upon their surface. Through her eyes, then, stretched all the delight of that old immense play-ground ... where names clothed, described, and summoned living realities.

His attitude towards her was odd yet comprehensible; for though his desire was unquestionably great, it was not particularly active, probably because he knew that he held her and that no aggressive effort was necessary. Secure in the feeling that she belonged to him, and he to her, he also found that he had little enough to say to her, never anything to ask. She knew and understood it all beforehand; expression was uncalled for. As well might the brimming kettle sing to the water "I contain you," or the water reply "I fill you!"

Only this was not the simile he used. In his own thoughts from the very beginning he had used the analogy of sound--of the chord. As well might one note feel called upon to cry to another in the same chord, "Hark! I'm sounding with you!" as that Spinrobin should say to Miriam, "My heart responds and sings to yours."

After a period of separation, however, he became charged with things he wanted to say to her, all of which vanished utterly the moment they came together. Words instantly then became unnecessary, foolish. He heard that faint internal singing, and his own resonant response; and they merely stayed there side by side, completely happy, everything told without speech. This sense of blissful union enwrapped his soul. In the language of his boyhood he had found her name; he knew her; she was his.

Yet sometimes they did talk; and their conversations, in any other setting but this amazing one provided by the wizardry of Skale's enthusiasm, must have seemed exquisitely ludicrous. In the room, often with the clergyman a few feet away, reading by the fire, they would sit in the window niche, gazing into one another's eyes, perhaps even holding hands. Then, after a long interval of silence Mr. Skale would hear Spinrobin's thin accents:

"You brilliant little sound! I hear you everywhere within me, chanting a song of life!"

And Miriam's reply, thrilled and gentle:

"I'm but your perfect echo! My whole life sings with yours!"

Whereupon, kissing softly, they would separate, and Mr. Skale would cover them mentally with his blessing.

Sometimes, too, he would send for the housekeeper and, with the aid of the violin, would lead the four voices, his own bass included, through the changes of various chords, for the vibratory utterance of certain names; and the beauty of these sounds, singing the "divine names," would make the secretary swell to twice his normal value and importance (thus he puts it), as the forces awakened by the music poured and surged into the atmosphere about them. Whereupon the clergyman would explain with burning words that many a symphony of Beethoven's, a sonata of Schumann's, or a suite of Tschaikovsky's were the Names, peaceful, romantic or melancholy, of great spiritual Potencies, heard partially by these masters in their moments of inspirational ecstasy. The powers of these Beings were just as characteristic, their existence just as real, as the simpler names of the Hebrew angels, and their psychic influence upon the soul that heard them uttered just as sure and individual.

"For the power of music, my dear Spinrobin, has never yet by science or philosophy been adequately explained, and never can be until the occult nature of sound, and its correlations with color, form, and number is once again understood. 'Rhythm is the first law of the physical creation,' says one, 'and music is a breaking into sound of the fundamental rhythm of universal being.' 'Rhythm and harmony,' declares Plato, 'find their way into the secret places of the soul.' 'It is the manifestation,' whispers the deaf Beethoven, 'of the inner essential nature of all that is,' or in the hint of Leibnitz, 'it is a calculation which the soul makes unconsciously in secret.' It is 'love in search of a name,' sang George Eliot, nearer in her intuition to the truth than all the philosophers, since love is the dynamic of pure spirit. But I," he continued after a pause for breath, and smiling amid the glow of his great enthusiasm, "go beyond and behind them all into the very heart of the secret; for you shall learn that to know the sounds of the Great Names and to utter their music correctly shall merge yourself into the heart of their deific natures and make you 'as the gods themselves...!'"

And Spinrobin, as he listened, noticed that a slight trembling ran across the fabric of his normal world, as though it were about to vanish and give place to another--a new world of divine things made utterly simple. For many things that Skale said in this easy natural way, he felt, were in the nature of clues and passwords, whose effect he carefully noted upon his secretary, being intended to urge him, with a certain violence even, into the desired region. Skale was testing him all the time.

And it was about this time, more than half way through the trial month, that the clergyman took Spinrobin, now become far more than merely secretary, into his fuller confidence. In a series of singular conversations, which the bewildered little fellow has reported to the best of his ability, he explained to him something of the science of true names. And to prove it he made two singular experiments: first he uttered the true name of Mrs. Mawle, secondly of Spinrobin himself, with results that shall presently be told.

These things it was necessary for him to know and understand before they made the great Experiment. Otherwise, if unprepared, he might witness results that would involve the loss of self-control and the failure, therefore, of the experiment--a disaster too formidable to contemplate.

By way of leading up to this, however, he gave him some account first of the original discovery. Spinrobin asked few questions, made few comments; he took notes, however, of all he heard and at night wrote them up as best he could in his diary. At times the clergyman rose and interrupted the strange recital by moving about the room with his soft and giant stride, talking even while his back was turned; and at times the astonished secretary wrote so furiously that he broke his pencil with a snap, and Mr. Skale had to wait while he sharpened it again. His inner excitement was so great that he almost felt he emitted sparks.

The clue, it appears, came to the clergyman by mere chance, though he admits his belief that the habits of asceticism and meditation he had practiced for years may have made him in some way receptive to the vision, for as a vision, it seems, the thing first presented itself--a vision made possible by a moment of very rapid hypnosis.

An Anglican priest at the time, in charge of a small Norfolk parish, he was a great believer in the value of ceremonial--in the use, that is, of color, odor and sound to induce mental states of worship and adoration--more especially, however, of sound as uttered by the voice, the human voice being unique among instruments in that it combined the characteristics of all other sounds. Intoning, therefore, was to him a matter of psychic importance, and it was one summer evening, intoning, in the chancel, that he noticed suddenly certain very curious results. The faces of two individuals in the congregation underwent a charming and singular change, a change which he would not describe more particularly at the moment, since Spinrobin should presently witness it for himself.

It all happened in a flash--in less than a second, and it is probable, he holds, that his own voice induced an instant of swift and passing hypnosis upon himself; for as he stood there at the lectern there came upon him a moment of keen interior lucidity in which he realized beyond doubt or question what had happened. The use of voice, bell, or gong, has long been known as a means of inducing the hypnotic state, and during this almost instantaneous trance of his there came a sudden revelation of the magical possibilities of sound-vibration. By some chance rhythm of his intoning voice he had hit upon the exact pitch, quality and accent which constituted the "Note" of more than one member of the congregation before him. Those particular individuals, without being aware of the fact, had at once responded, automatically and inevitably. For a second he had heard, he knew, their true names! He had unwittingly "called" them.

Spinrobin's heart leaped with excitement as he listened, for this idea of "Naming True" carried him back to the haunted days of his childhood clairvoyance when he had known Winky.

"I don't quite understand, Mr. Skale," he put in, desirous to hear a more detailed explanation.

"But presently you shall," was all the clergyman vouchsafed.

The clue thus provided by chance he had followed up, but by methods hard to describe apparently. A corner of the veil, momentarily lifted, had betrayed the value that lies in the repetition of certain sounds--the rhythmic reiteration of syllables--in a word, of chanting or incantation. By diving down into his subconscious region, already prepared by long spiritual training, he gradually succeeded in drawing out further details piece by piece, and finally by infinite practice and prayer welding them together into an intelligible system. The science of true-naming slowly, with the efforts of years, revealed itself. His mind slipped past the deceit of mere sensible appearances. Clair-audiently he heard the true inner names of things and persons....

Mr. Skale rose from his chair. With thumbs in the armholes of his waistcoat and fingers drumming loudly on his breast he stood over the secretary, who continued making frantic notes.

"That chance discovery, then, made during a moment's inner vision," he continued with a grave excitement, "gave me the key to a whole world of new knowledge, and since then I have made incredible developments. Listen closely, Mr. Spinrobin, while I explain. And take in what you can."

The secretary laid down his pencil and notebook. He sat forward in an attitude of intense eagerness upon the edge of his chair. He was trembling. This strange modern confirmation of his early Heaven of wonder before the senses had thickened and concealed it, laid bare again his earliest world of far-off pristine glory.

"The ordinary name of a person, understand then, is merely a sound attached to their physical appearance at birth by the parents--a meaningless sound. It is not their true name. That, however, exists behind it in the spiritual world, and is the accurate description of the soul. It is the sound you express visibly before me. The Word is the Life."

Spinrobin surreptitiously picked up his pencil; but the clergyman spied the movement. "Never mind the notes," he said; "listen closely to me." Spinrobin obeyed meekly.

"Your ordinary outer name, however," continued Mr. Skale, speaking with profound conviction, "may be made a conductor to your true, inner one. The connection between the two by a series of subtle interior links forms gradually with the years. For even the ordinary name, if you reflect a moment, becomes in time a sound of singular authority--inwoven with the finest threads of your psychical being, so that in a sense you become it. To hear it suddenly called aloud in the night--in a room full of people, in the street unexpectedly--is to know a shock, however small, of increased vitality. It touches the imagination. It calls upon the soul built up around it."

He paused a moment. His voice boomed musically about the room, even after he ceased speaking. Bewildered, wondering, delighted, Spinrobin drank in every word. How well he knew it all.

"Now," resumed the clergyman, lowering his tone unconsciously, "the first part of my discovery lies in this: that I have learned to pronounce the ordinary names of things and people in such a way as to lead me to their true, inner ones--"

"But," interrupted Spinrobin irrepressibly, "how in the name of--?"

"Hush!" cried Skale quickly. "Never again call upon a mighty name--in vain. It is dangerous. Concentrate your mind upon what I now tell you, and you shall understand a part, at least, of my discovery. As I was saying, I have learned how to find the true name by means of the false; and understand, if you can, that to pronounce a true name correctly means to participate in its very life, to vibrate with its essential nature, to learn the ultimate secret of its inmost being. For our true names are the sounds originally uttered by the 'Word' of God when He created us, or 'called' us into Being out of the void of infinite silence, and to repeat them correctly means literally--to--speak--with--His--Voice. It is to speak the truth." The clergyman dropped his tone to an awed whisper. "Words are the veils of Being; to speak them truly is to lift a corner of the veil."

"What a glory! What a thing!" exclaimed the other under his breath, trying to keep his mind steady, but losing control of language in the attempt. The great sentences seemed to change the little room into a temple where sacred things were about to reveal themselves. Spinrobin now understood in a measure why Mr. Skale's utterance of his own name and that of Miriam had sounded grand. Behind each he had touched the true name and made it echo.

The clergyman's voice brought his thoughts back from distances in that inner prairie of his youth where they had lost themselves.

"For all of us," he was repeating with rapt expression in his shining eyes, "are Sounds in the mighty music the universe sings to God, whose Voice it was that first produced us, and of whose awful resonance we are echoes therefore in harmony or disharmony." A look of power passed into his great visage. Spinrobin's imagination, in spite of the efforts that he made, fluttered with broken wings behind the swift words. A flash of the former terror stirred in the depths of him. The man was at the heels of knowledge it is not safe for humanity to seek....

"Yes," he continued, directing his gaze again upon the other, "that is a part of my discovery, though only a part, mind. By repeating your outer name in a certain way until it disappears in the mind, I can arrive at the real name within. And to utter it is to call upon the secret soul--to summon it from its lair. 'I have redeemed thee; I have called thee by name.' You remember the texts? 'I know thee by name,' said Jehovah to the great Hebrew magician, 'and thou art mine.' By certain rhythms and vibratory modulations of the voice it is possible to produce harmonics of sound which awaken the inner name into life--and then to spell it out. Note well, to spell it,--spell--incantation--the magical use of sound--the meaning of the Word of Power, used with such terrific effect in the old forgotten Hebrew magic. Utter correctly the names of their Forces, or Angels, I am teaching you daily now," he went on reverently, with glowing eyes and intense conviction; "pronounce them with full vibratory power that awakens all their harmonics, and you awaken also their counterpart in yourself; you summon their strength or characteristic quality to your aid; you introduce their powers actively into your own psychical being. Had Jacob succeeded in discovering the 'Name' of that 'Angel' with whom he wrestled, he would have become one with its superior power and have thus conquered it. Only, he asked instead of commanded, and he found it not..."

"Magnificent! Splendid!" cried Spinrobin, starting from his chair, seizing with his imagination potently stirred, this possibility of developing character and rousing the forces of the soul.

"We shall yet call upon the Names, and see," replied Skale, placing a great hand upon his companion's shoulder, "not aloud necessarily, but by an inner effort of intense will which sets in vibration the finer harmonics heard only by the poet and magician, those harmonics and overtones which embody the psychical element in music. For the methods of poet and magician, I tell you, my dear Spinrobin, are identical, and all the faiths of the world are at the heels of that thought. Provided you have faith you can--move mountains! You can call upon the very gods!"

"A most wonderful idea, Mr. Skale," faltered the other breathlessly, "quite wonderful!" The huge sentences deafened him a little with their mental thunder.

"And utterly simple," was the reply, "for all truth is simple."

He paced the floor like a great caged animal. He went down and leaned against the dark bookcase, with his legs wide apart, and hands in his coat pockets. "To name truly, you see, is to evoke, to create!" he roared from the end of the room. "To utter as it should be uttered any one of the Ten Words, or Creative Powers of the Deity in the old Hebrew system, is to become master of the 'world' to which it corresponds. For these names are still in living contact with the realities behind. It means to vibrate with the powers that called the universe into being and--into form."

A sort of shadowy majesty draped his huge figure, Spinrobin thought, as he stood in semi-darkness at the end of the room and thundered forth these extraordinary sentences with a conviction that, for the moment at least, swept away all doubt in the mind of his listener. Dreadful ideas, huge-footed and threatening, rushed to and fro in the secretary's mind. He was torn away from all known anchorage, staggered, dizzy and dismayed; yet at the same time, owing to his adventure-loving temperament, a prey to some secret and delightful exaltation of the spirit. He was out of his depth in great waters....

Then, quite suddenly, Mr. Skale came swiftly over to his side and whispered in accents that were soothing in comparison:

"And think for a moment how beautiful, the huge Words by which God called into being the worlds, and sent the perfect, rounded bodies of the spheres spinning and singing, blazing their eternal trails of glory through the void! How sweet the whisper that crystallized in flowers! How tender the note that fashioned the eyes and face, say, of Miriam...."

At the name of Miriam he felt caught up and glorified, in some delightful and inexplicable way that brought with it--peace. The power of all these strange and glowing thoughts poured their full tide into his own rather arid and thirsty world, frightening him with their terrific force. But the mere utterance of that delightful name--in the way Skale uttered it--brought confidence and peace.

"... Could we but hear them!" Skale continued, half to himself, half to his probationer; "for the sad thing is that today the world has ears yet cannot hear. As light is distorted by passing through a gross atmosphere, so sound reaches us but indistinctly now, and few true names can bring their wondrous messages of power correctly. Men, coarsening with the materialism of the ages, have grown thick and gross with the luxury of inventions and the diseases of modern life that develop intellect at the expense of soul. They have lost the old inner hearing of divine sound, and but one here and there can still catch the faint, far-off and ineffable music."

He lifted his eyes, and his voice became low and even gentle as the glowing words fell from his heart of longing.

"None hear now the morning stars when they sing together to the sun; none know the chanting of the spheres! The ears of the world are stopped with lust, and the old divine science of true-naming seems lost forever amid the crash of engines and the noisy thunder of machinery!... Only among flowers and certain gems are the accurate old true names still to be found!... But we are on the track, my dear Spinrobin, we are on the ancient trail to Power."

The clergyman closed his eyes and clasped his hands, lifting his face upwards with a rapt expression while he murmured under his breath the description of the Rider on the White Horse from the Book of the Revelations, as though it held some inner meaning that his heart knew yet dared not divulge: "And he had a Name written, that no man knew but he himself. And he was clothed in a vesture dipped in blood: and his Name is called The Word of God ... and he hath on his vesture and on his thigh a name written,--'King of Kings and Lord of Lords....'"

And for an instant Spinrobin, listening to the rolling sound but not to the actual words, fancied that a faintly colored atmosphere of deep scarlet accompanied the vibrations of his resonant whisper and produced in the depths of his mind this momentary effect of colored audition.

It was all very strange and puzzling. He tried, however, to keep an open mind and struggle as best he might with these big swells that rolled into his little pool of life and threatened to merge it in a vaster tide than he had yet dreamed of. Knowing how limited is the world which the senses report, he saw nothing too inconceivable in the idea that certain persons might possess a peculiar inner structure of the spirit by which supersensuous things can be perceived. And what more likely than that a man of Mr. Skale's unusual caliber should belong to them? Indeed, that the clergyman possessed certain practical powers of an extraordinary description he was as certain as that the house was not empty as he had at first supposed. Of neither had he proof as yet; but proof was not long in forthcoming.